Robert Bridges

Robert Seymour Bridges, OM (23 October 1844 – 21 April 1930) was Britain's poet laureate from 1913 to 1930. A doctor by training, he achieved literary fame only late in life. His poems reflect a deep Christian faith, and he is the author of many well-known hymns. It was through Bridges’ efforts that Gerard Manley Hopkins achieved posthumous fame.

Life

Bridges was born in Walmer, Kent, in England, and educated at Eton College and Corpus Christi College, Oxford. He went on to study medicine in London at St Bartholomew's Hospital, intending to practise until the age of forty and then retire to write poetry.

He practised as a casualty physician at his teaching hospital (where he made a series of highly critical remarks about the Victorian medical establishment) and subsequently as a full physician to the Great (later Royal) Northern Hospital. He was also a physician to the Hospital for Sick Children.

Lung disease forced him to retire in 1882, and from that point on he devoted himself to writing and literary research. However, Bridges' literary work started long before his retirement, his first collection of poems having been published in 1873. In 1884 he married Monica Waterhouse, daughter of Alfred Waterhouse R.A., and spent the rest of his life in rural seclusion, first at Yattendon, then at Boars Hill, Berkshire, where he died.

He was elected to the Fellowship of the Royal College of Physicians of London in 1900. He was appointed Poet Laureate in 1913, the only medical graduate to have held the office.

He was the father of poet Elizabeth Daryush.

Literary work

As a poet Bridges stands rather apart from the current of modern English verse, but his work has had great influence in a select circle, by its restraint, purity, precision and delicacy yet strength of expression. It embodies a distinct theory of prosody. Bridges' faith underpinned much of his work.

In the book Milton's Prosody, he took an empirical approach to examining Milton's use of blank verse, and developed the controversial theory that Milton's practice was essentially syllabic. He considered free verse to be too limiting, and explained his position in the essay "Humdrum and Harum-Scarum". His own efforts to "free" verse resulted in the poems he called "Neo-Miltonic Syllabics", which were collected in New Verse (1925). The metre of these poems was based on syllables rather than accents, and he used the principle again in the long philosophical poem The Testament of Beauty (1929), for which he received the Order of Merit. His best-known poems, however, are to be found in the two earlier volumes of Shorter Poems (1890, 1894). He also wrote verse plays, with limited success, and literary criticism, including a study of the work of John Keats.

Bridges' poetry was privately printed in the first instance, and was slow in making its way beyond a comparatively small circle of his admirers. His best work is to be found in his Shorter Poems (1890), and a complete edition (to date) of his Poetical Works (6 vols.) was published in 1898-1905.

Despite being made poet laureate in 1913, Bridges was never a very well-known poet and only achieved his great popularity shortly before his death with The Testament of Beauty. However, his verse evoked response in many great British composers of the time. Among those to set his poems to music were Hubert Parry, Gustav Holst and later Gerald Finzi.

During the First World War, Bridges joined the group of writers assembled by Charles Masterman as part of Britain's War Propaganda Bureau at Wellington House.

At Oxford, Bridges became friends with Gerard Manley Hopkins, who is now considered a superior poet but who owes his present fame to Bridges' efforts in arranging the posthumous publication (1918) of his verse.

Bridges received advice from the young phonetician David Abercrombie on the reformed spelling system he was devising for the publication of his collected essays (later published in seven volumes by Oxford University Press, with the help of the distinguished typographer Stanley Morison, who designed the new letters). Thus Robert Bridges contributed to phonetics and he was also a founder member of the Society for Pure English.

Hymnody

Bridges made an important contribution to hymnody with the publication in 1899 of his Yattendon Hymnal, which he created specifically for musical reasons. This collection of hymns, although not a financial success, became a bridge between the Victorian hymnody of the last half of the 19th century and the modern hymnody of the early 20th century.

Bridges wrote and also translated historic hymns, and many of these were included in Songs of Syon (1904) and the later English Hymnal (1906). Several of Bridges' hymns and translations are still in use today:

"Thee will I love, my God and King"
"Happy are they that love God"
"Rejoice, O land, in God thy might"
The Baptist Hymn Book, University Press, Oxford 1962
"Ah, Holy Jesus" (Johann Heermann, 1630)
"All My Hope on God Is Founded" (Joachim Neander, c. 1680)
"Jesu, Joy of Man's Desiring" (Martin Jahn, 1661)
"O Gladsome Light" (Phos Hilaron)
"O Sacred Head, sore wounded" (Paulus Gerhardt, 1656)
"O Splendour of God's Glory Bright" (Ambrose, 4th century)
"When morning gilds the skies" (stanza 3; Katholisches Gesangbuch, 1744)

This article uses material from the Wikipedia article Robert Bridges, which is released under the Creative Commons Attribution-Share-Alike License 3.0. ( view authors).