Textarchiv - Lewis Carroll

Tèma Con Variaziòni

mrbot — Mon, 16 Jan 2017 21:43:46 +0000

I never loved a dear Gazelle—
Nor anything that cost me much:
High prices profit those who sell,
But why should I be fond of such?

To glad me with his soft black eye
My son comes trotting home from school;
He’s had a fight but can’t tell why—
He always was a little fool!

But, when he came to know me well,
He kicked me out, her testy Sire:
And when I stained my hair, that Belle
Might note the change, and thus admire

And love me, it was sure to dye
A muddy green or staring blue:
Whilst one might trace, with half an eye,
The still triumphant carrot through.

Lewis Carroll

1911

Echoes

mrbot — Mon, 16 Jan 2017 21:43:46 +0000

Lady Clara Vere de Vere
Was eight years old, she said:
Every ringlet, lightly shaken, ran itself in golden thread.

She took her little porringer:
Of me she shall not win renown:
For the baseness of its nature shall have strength to drag her down.

“Sisters and brothers, little Maid?
There stands the Inspector at thy door:
Like a dog, he hunts for boys who know not two and two are four.”

“Kind words are more than coronets,”
She said, and wondering looked at me:
“It is the dead unhappy night, and I must hurry home to tea.”

Lewis Carroll

1911

Fame’s Penny-Trumpet

mrbot — Mon, 16 Jan 2017 21:43:46 +0000

Blow, blow your trumpets till they crack,
Ye little men of little souls!
And bid them huddle at your back—
Gold-sucking leeches, shoals on shoals!

Fill all the air with hungry wails—
“Reward us, ere we think or write!
Without your Gold mere Knowledge fails
To sate the swinish appetite!”

And, where great Plato paced serene,
Or Newton paused with wistful eye,
Rush to the chace with hoofs unclean
And Babel-clamour of the sty

Be yours the pay: be theirs the praise:
We will not rob them of their due,
Nor vex the ghosts of other days
By naming them along with you.

They sought and found undying fame:
They toiled not for reward nor thanks:
Their cheeks are hot with honest shame
For you, the modern mountebanks!

Who preach of Justice—plead with tears
That Love and Mercy should abound—
While marking with complacent ears
The moaning of some tortured hound:

Who prate of Wisdom—nay, forbear,
Lest Wisdom turn on you in wrath,
Trampling, with heel that will not spare,
The vermin that beset her path!

Go, throng each other’s drawing-rooms,
Ye idols of a petty clique:
Strut your brief hour in borrowed plumes,
And make your penny-trumpets squeak.

Deck your dull talk with pilfered shreds
Of learning from a nobler time,
And oil each other’s little heads
With mutual Flattery’s golden slime:

And when the topmost height ye gain,
And stand in Glory’s ether clear,
And grasp the prize of all your pain—
So many hundred pounds a year—

Then let Fame’s banner be unfurled!
Sing Pæans for a victory won!
Ye tapers, that would light the world,
And cast a shadow on the Sun—

Who still shall pour His rays sublime,
One crystal flood, from East to West,
When ye have burned your little time
And feebly flickered into rest!

Lewis Carroll

1911

The Third Voice

mrbot — Mon, 16 Jan 2017 21:43:46 +0000

Not long this transport held its place:
Within a little moment’s space
Quick tears were raining down his face

His heart stood still, aghast with fear;
A wordless voice, nor far nor near,
He seemed to hear and not to hear.

“Tears kindle not the doubtful spark.
If so, why not? Of this remark
The bearings are profoundly dark.”

“Her speech,” he said, “hath caused this pain.
Easier I count it to explain
The jargon of the howling main,

“Or, stretched beside some babbling brook,
To con, with inexpressive look,
An unintelligible book.”

Low spake the voice within his head,
In words imagined more than said,
Soundless as ghost’s intended tread:

“If thou art duller than before,
Why quittedst thou the voice of lore?
Why not endure, expecting more?”

“Rather than that,” he groaned aghast,
“I’d writhe in depths of cavern vast,
Some loathly vampire’s rich repast.”

’Twere hard,” it answered, “themes immense
To coop within the narrow fence
That rings thy scant intelligence.”

“Not so,” he urged, “nor once alone:
But there was something in her tone
That chilled me to the very bone.

“Her style was anything but clear,
And most unpleasantly severe;
Her epithets were very queer.

“And yet, so grand were her replies,
I could not choose but deem her wise;
I did not dare to criticise;

“Nor did I leave her, till she went
So deep in tangled argument
That all my powers of thought were spent.”

A little whisper inly slid,
“Yet truth is truth: you know you did.”
A little wink beneath the lid.

And, sickened with excess of dread,
Prone to the dust he bent his head,
And lay like one three-quarters dead

The whisper left him—like a breeze
Lost in the depths of leafy trees—
Left him by no means at his ease.

Once more he weltered in despair,
With hands, through denser-matted hair,
More tightly clenched than then they were.

When, bathed in Dawn of living red,
Majestic frowned the mountain head,
“Tell me my fault,” was all he said.

When, at high Noon, the blazing sky
Scorched in his head each haggard eye,
Then keenest rose his weary cry.

And when at Eve the unpitying sun
Smiled grimly on the solemn fun,
“Alack,” he sighed, “what have I done?”

But saddest, darkest was the sight,
When the cold grasp of leaden Night
Dashed him to earth, and held him tight.

Tortured, unaided, and alone,
Thunders were silence to his groan,
Bagpipes sweet music to its tone:

“What? Ever thus, in dismal round,
Shall Pain and Mystery profound
Pursue me like a sleepless hound,

“With crimson-dashed and eager jaws,
Me, still in ignorance of the cause,
Unknowing what I broke of laws?”

The whisper to his ear did seem
Like echoed flow of silent stream,
Or shadow of forgotten dream,

The whisper trembling in the wind:
“Her fate with thine was intertwined,”
So spake it in his inner mind:

“Each orbed on each a baleful star:
Each proved the other’s blight and bar:
Each unto each were best, most far:

“Yea, each to each was worse than foe:
Thou, a scared dullard, gibbering low,
And she, an avalanche of woe!”

Lewis Carroll

1911

Canto VII - Sad Souvenaunce

mrbot — Mon, 16 Jan 2017 21:43:46 +0000

“What’s this?” I pondered. “Have I slept?
Or can I have been drinking?”
But soon a gentler feeling crept
Upon me, and I sat and wept
An hour or so, like winking.

“No need for Bones to hurry so!”
I sobbed. “In fact, I doubt
If it was worth his while to go—
And who is Tibbs, I’d like to know,
To make such work about?

“If Tibbs is anything like me,
It’s possible,” I said,
“He won’t be over-pleased to be
Dropped in upon at half-past three,
After he’s snug in bed.

“And if Bones plagues him anyhow—
Squeaking and all the rest of it,
As he was doing here just now—
I prophesy there’ll be a row,
And Tibbs will have the best of it!”

Then, as my tears could never bring
The friendly Phantom back,
It seemed to me the proper thing
To mix another glass, and sing
The following Coronach.

‘And art thou gone, beloved Ghost?
Best of Familiars!
Nay then, farewell, my duckling roast,
Farewell, farewell, my tea and toast,
My meerschaum and cigars!

The hues of life are dull and gray,
The sweets of life insipid,
When thou, my charmer, art away—
Old Brick, or rather, let me say,
Old Parallelepiped!’

Instead of singing Verse the Third,
I ceased—abruptly, rather:
But, after such a splendid word
I felt that it would be absurd
To try it any farther.

So with a yawn I went my way
To seek the welcome downy,
And slept, and dreamed till break of day
Of Poltergeist and Fetch and Fay
And Leprechaun and Brownie!

For years I’ve not been visited
By any kind of Sprite;
Yet still they echo in my head,
Those parting words, so kindly said,
“Old Turnip-top, good-night!”

Lewis Carroll

1911

The Lang Coortin’

mrbot — Mon, 16 Jan 2017 21:43:43 +0000

The ladye she stood at her lattice high,
Wi’ her doggie at her feet;
Thorough the lattice she can spy
The passers in the street,

“There’s one that standeth at the door,
And tirleth at the pin:
Now speak and say, my popinjay,
If I sall let him in.”

Then up and spake the popinjay
That flew abune her head:
“Gae let him in that tirls the pin:
He cometh thee to wed.”

O when he cam’ the parlour in,
A woeful man was he!
“And dinna ye ken your lover agen,
Sae well that loveth thee?”

“And how wad I ken ye loved me, Sir,
That have been sae lang away?
And how wad I ken ye loved me, Sir?
Ye never telled me sae.”

Said—“Ladye dear,” and the salt, salt tear
Cam’ rinnin’ doon his cheek,
“I have sent the tokens of my love
This many and many a week.

“O didna ye get the rings, Ladye,
The rings o’ the gowd sae fine?
I wot that I have sent to thee
Four score, four score and nine.”

“They cam’ to me,” said that fair ladye.
“Wow, they were flimsie things!”
Said—“that chain o’ gowd, my doggie to howd,
It is made o’ thae self-same rings.”

“And didna ye get the locks, the locks,
The locks o’ my ain black hair,
Whilk I sent by post, whilk I sent by box,
Whilk I sent by the carrier?”

“They cam’ to me,” said that fair ladye;
“And I prithee send nae mair!”
Said—“that cushion sae red, for my doggie’s head,
It is stuffed wi’ thae locks o’ hair.”

“And didna ye get the letter, Ladye,
Tied wi’ a silken string,
Whilk I sent to thee frae the far countrie,
A message of love to bring?”

“It cam’ to me frae the far countrie
Wi’ its silken string and a’;
But it wasna prepaid,” said that high-born maid,
“Sae I gar’d them tak’ it awa’.”

“O ever alack that ye sent it back,
It was written sae clerkly and well!
Now the message it brought, and the boon that it sought,
I must even say it mysel’.”

Then up and spake the popinjay,
Sae wisely counselled he.
“Now say it in the proper way:
Gae doon upon thy knee!”

The lover he turned baith red and pale,
Went doon upon his knee:
“O Ladye, hear the waesome tale
That must be told to thee!

“For five lang years, and five lang years,
I coorted thee by looks;
By nods and winks, by smiles and tears,
As I had read in books.

“For ten lang years, O weary hours!
I coorted thee by signs;
By sending game, by sending flowers,
By sending Valentines.

“For five lang years, and five lang years,
I have dwelt in the far countrie,
Till that thy mind should be inclined
Mair tenderly to me.

“Now thirty years are gane and past,
I am come frae a foreign land:
I am come to tell thee my love at last—
O Ladye, gie me thy hand!”

The ladye she turned not pale nor red,
But she smiled a pitiful smile:
“Sic’ a coortin’ as yours, my man,” she said
“Takes a lang and a weary while!”

And out and laughed the popinjay,
A laugh of bitter scorn:
“A coortin’ done in sic’ a way,
It ought not to be borne!”

Wi’ that the doggie barked aloud,
And up and doon he ran,
And tugged and strained his chain o’ gowd,
All for to bite the man.

“O hush thee, gentle popinjay!
O hush thee, doggie dear!
There is a word I fain wad say,
It needeth he should hear!”

Aye louder screamed that ladye fair
To drown her doggie’s bark:
Ever the lover shouted mair
To make that ladye hark:

Shrill and more shrill the popinjay
Upraised his angry squall:
I trow the doggie’s voice that day
Was louder than them all!

he serving-men and serving-maids
Sat by the kitchen fire:
They heard sic’ a din the parlour within
As made them much admire.

Out spake the boy in buttons
(I ween he wasna thin),
“Now wha will tae the parlour gae,
And stay this deadlie din?”

And they have taen a kerchief,
Casted their kevils in,
For wha will tae the parlour gae,
And stay that deadlie din.

When on that boy the kevil fell
To stay the fearsome noise,
“Gae in,” they cried, “whate’er betide,
Thou prince of button-boys!”

Syne, he has taen a supple cane
To swinge that dog sae fat:
The doggie yowled, the doggie howled
The louder aye for that.

Syne, he has taen a mutton-bane—
The doggie ceased his noise,
And followed doon the kitchen stair
That prince of button-boys!

Then sadly spake that ladye fair,
Wi’ a frown upon her brow:
“O dearer to me is my sma’ doggie
Than a dozen sic’ as thou!

“Nae use, nae use for sighs and tears:
Nae use at all to fret:
Sin’ ye’ve bided sae well for thirty years,
Ye may bide a wee langer yet!”

Sadly, sadly he crossed the floor
And tirlëd at the pin:
Sadly went he through the door
Where sadly he cam’ in.

“O gin I had a popinjay
To fly abune my head,
To tell me what I ought to say,
I had by this been wed.

“O gin I find anither ladye,”
He said wi’ sighs and tears,
“I wot my coortin’ sall not be
Anither thirty years

“For gin I find a ladye gay,
Exactly to my taste,
I’ll pop the question, aye or nay,
In twenty years at maist.”

Lewis Carroll

1911

Canto VI - Dyscomfyture

mrbot — Mon, 16 Jan 2017 21:43:43 +0000

As one who strives a hill to climb,
Who never climbed before:
Who finds it, in a little time,
Grow every moment less sublime,
And votes the thing a bore:

Yet, having once begun to try,
Dares not desert his quest,
But, climbing, ever keeps his eye
On one small hut against the sky
Wherein he hopes to rest:

Who climbs till nerve and force are spent,
With many a puff and pant:
Who still, as rises the ascent,
In language grows more violent,
Although in breath more scant:

Who, climbing, gains at length the place
That crowns the upward track.
And, entering with unsteady pace,
Receives a buffet in the face
That lands him on his back:

And feels himself, like one in sleep,
Glide swiftly down again,
A helpless weight, from steep to steep,
Till, with a headlong giddy sweep,
He drops upon the plain—

So I, that had resolved to bring
Conviction to a ghost,
And found it quite a different thing
From any human arguing,
Yet dared not quit my post

But, keeping still the end in view
To which I hoped to come,
I strove to prove the matter true
By putting everything I knew
Into an axiom:

Commencing every single phrase
With ‘therefore’ or ‘because,’
I blindly reeled, a hundred ways,
About the syllogistic maze,
Unconscious where I was.

Quoth he “That’s regular clap-trap:
Don’t bluster any more.
Now do be cool and take a nap!
Such a ridiculous old chap
Was never seen before!

“You’re like a man I used to meet,
Who got one day so furious
In arguing, the simple heat
Scorched both his slippers off his feet!”
I said “That’s very curious!”

“Well, it is curious, I agree,
And sounds perhaps like fibs:
But still it’s true as true can be—
As sure as your name’s Tibbs,” said he.
I said “My name’s not Tibbs.”

“Not Tibbs!” he cried—his tone became
A shade or two less hearty—
“Why, no,” said I. “My proper name
Is Tibbets—” “Tibbets?” “Aye, the same.”
“Why, then YOU’RE NOT THE PARTY!”

With that he struck the board a blow
That shivered half the glasses.
“Why couldn’t you have told me so
Three quarters of an hour ago,
You prince of all the asses?

“To walk four miles through mud and rain,
To spend the night in smoking,
And then to find that it’s in vain—
And I’ve to do it all again—
It’s really too provoking!

“Don’t talk!” he cried, as I began
To mutter some excuse.
“Who can have patience with a man
That’s got no more discretion than
An idiotic goose?

“To keep me waiting here, instead
Of telling me at once
That this was not the house!” he said.
“There, that’ll do—be off to bed!
Don’t gape like that, you dunce!”

“It’s very fine to throw the blame
On me in such a fashion!
Why didn’t you enquire my name
The very minute that you came?”
I answered in a passion.

“Of course it worries you a bit
To come so far on foot—
But how was I to blame for it?”
“Well, well!” said he. “I must admit
That isn’t badly put.

“And certainly you’ve given me
The best of wine and victual—
Excuse my violence,” said he,
“But accidents like this, you see,
They put one out a little.

“’Twas my fault after all, I find—
Shake hands, old Turnip-top!”
The name was hardly to my mind,
But, as no doubt he meant it kind,
I let the matter drop.

“Good-night, old Turnip-top, good-night!
When I am gone, perhaps
They’ll send you some inferior Sprite,
Who’ll keep you in a constant fright
And spoil your soundest naps.

“Tell him you’ll stand no sort of trick;
Then, if he leers and chuckles,
You just be handy with a stick
(Mind that it’s pretty hard and thick)
And rap him on the knuckles!

“Then carelessly remark ‘Old coon!
Perhaps you’re not aware
That, if you don’t behave, you’ll soon
Be chuckling to another tune—
And so you’d best take care!’

“That’s the right way to cure a Sprite
Of such like goings-on—
But gracious me! It’s getting light!
Good-night, old Turnip-top, good-night!”
A nod, and he was gone.

Lewis Carroll

1911

The Second Voice

mrbot — Mon, 16 Jan 2017 21:43:43 +0000

They walked beside the wave-worn beach;
Her tongue was very apt to teach,
And now and then he did beseech

She would abate her dulcet tone,
Because the talk was all her own,
And he was dull as any drone.

She urged “No cheese is made of chalk”:
And ceaseless flowed her dreary talk,
Tuned to the footfall of a walk.

Her voice was very full and rich,
And, when at length she asked him “Which?”
It mounted to its highest pitch.

He a bewildered answer gave,
Drowned in the sullen moaning wave,
Lost in the echoes of the cave.

He answered her he knew not what:
Like shaft from bow at random shot,
He spoke, but she regarded not.

She waited not for his reply,
But with a downward leaden eye
Went on as if he were not by

Sound argument and grave defence,
Strange questions raised on “Why?” and “Whence?”
And wildly tangled evidence.

When he, with racked and whirling brain,
Feebly implored her to explain,
She simply said it all again.

Wrenched with an agony intense,
He spake, neglecting Sound and Sense,
And careless of all consequence:

“Mind—I believe—is Essence—Ent—
Abstract—that is—an Accident—
Which we—that is to say—I meant—”

When, with quick breath and cheeks all flushed,
At length his speech was somewhat hushed,
She looked at him, and he was crushed.

It needed not her calm reply:
She fixed him with a stony eye,
And he could neither fight nor fly.

While she dissected, word by word,
His speech, half guessed at and half heard,
As might a cat a little bird.

Then, having wholly overthrown
His views, and stripped them to the bone,
Proceeded to unfold her own.

“Shall Man be Man? And shall he miss
Of other thoughts no thought but this,
Harmonious dews of sober bliss?

“What boots it? Shall his fevered eye
Through towering nothingness descry
The grisly phantom hurry by?

“And hear dumb shrieks that fill the air;
See mouths that gape, and eyes that stare
And redden in the dusky glare?

“The meadows breathing amber light,
The darkness toppling from the height,
The feathery train of granite Night?

“Shall he, grown gray among his peers,
Through the thick curtain of his tears
Catch glimpses of his earlier years,

“And hear the sounds he knew of yore,
Old shufflings on the sanded floor,
Old knuckles tapping at the door?

“Yet still before him as he flies
One pallid form shall ever rise,
And, bodying forth in glassy eyes

“The vision of a vanished good,
Low peering through the tangled wood,
Shall freeze the current of his blood.”

Still from each fact, with skill uncouth
And savage rapture, like a tooth
She wrenched some slow reluctant truth.

Till, like a silent water-mill,
When summer suns have dried the rill,
She reached a full stop, and was still.

Dead calm succeeded to the fuss,
As when the loaded omnibus
Has reached the railway terminus:

When, for the tumult of the street,
Is heard the engine’s stifled beat,
The velvet tread of porters’ feet.

With glance that ever sought the ground,
She moved her lips without a sound,
And every now and then she frowned.

He gazed upon the sleeping sea,
And joyed in its tranquillity,
And in that silence dead, but she

To muse a little space did seem,
Then, like the echo of a dream,
Harked back upon her threadbare theme.

Still an attentive ear he lent
But could not fathom what she meant:
She was not deep, nor eloquent.

He marked the ripple on the sand:
The even swaying of her hand
Was all that he could understand.

He saw in dreams a drawing-room,
Where thirteen wretches sat in gloom,
Waiting—he thought he knew for whom:

He saw them drooping here and there,
Each feebly huddled on a chair,
In attitudes of blank despair:

Oysters were not more mute than they,
For all their brains were pumped away,
And they had nothing more to say—

Save one, who groaned “Three hours are gone!”
Who shrieked “We’ll wait no longer, John!
Tell them to set the dinner on!”

The vision passed: the ghosts were fled:
He saw once more that woman dread:
He heard once more the words she said.

He left her, and he turned aside:
He sat and watched the coming tide
Across the shores so newly dried.

He wondered at the waters clear,
The breeze that whispered in his ear,
The billows heaving far and near,

And why he had so long preferred
To hang upon her every word:
“In truth,” he said, “it was absurd.”

Lewis Carroll

1911

Four Riddles

mrbot — Mon, 16 Jan 2017 21:43:43 +0000

There was an ancient City, stricken down
With a strange frenzy, and for many a day
They paced from morn to eve the crowded town,
And danced the night away.

I asked the cause: the aged man grew sad:
They pointed to a building gray and tall,
And hoarsely answered “Step inside, my lad,
And then you’ll see it all.”

Yet what are all such gaieties to me
Whose thoughts are full of indices and surds?

x2 + 7x + 53 = 11/3

But something whispered “It will soon be done:
Bands cannot always play, nor ladies smile:
Endure with patience the distasteful fun
For just a little while!”

A change came o’er my Vision—it was night:
We clove a pathway through a frantic throng:
The steeds, wild-plunging, filled us with affright:
The chariots whirled along.

Within a marble hall a river ran—
A living tide, half muslin and half cloth:
And here one mourned a broken wreath or fan,
Yet swallowed down her wrath;

And here one offered to a thirsty fair
(His words half-drowned amid those thunders tuneful)
Some frozen viand (there were many there),
A tooth-ache in each spoonful.

There comes a happy pause, for human strength
Will not endure to dance without cessation;
And every one must reach the point at length
Of absolute prostration.

At such a moment ladies learn to give,
To partners who would urge them over-much,
A flat and yet decided negative—
Photographers love such.

There comes a welcome summons—hope revives,
And fading eyes grow bright, and pulses quicken:
Incessant pop the corks, and busy knives
Dispense the tongue and chicken.

Flushed with new life, the crowd flows back again:
And all is tangled talk and mazy motion—
Much like a waving field of golden grain,
Or a tempestuous ocean.

And thus they give the time, that Nature meant
For peaceful sleep and meditative snores,
To ceaseless din and mindless merriment
And waste of shoes and floors.

And One (we name him not) that flies the flowers,
That dreads the dances, and that shuns the salads,
They doom to pass in solitude the hours,
Writing acrostic-ballads.

How late it grows! The hour is surely past
That should have warned us with its double knock?
The twilight wanes, and morning comes at last—
“Oh, Uncle, what’s o’clock?”

The Uncle gravely nods, and wisely winks.
It may mean much, but how is one to know?
He opens his mouth—yet out of it, methinks,
No words of wisdom flow.

II.

Empress of Art, for thee I twine
This wreath with all too slender skill.
Forgive my Muse each halting line,
And for the deed accept the will!

O day of tears! Whence comes this spectre grim,
Parting, like Death’s cold river, souls that love?
Is not he bound to thee, as thou to him,
By vows, unwhispered here, yet heard above?

And still it lives, that keen and heavenward flame,
Lives in his eye, and trembles in his tone:
And these wild words of fury but proclaim
A heart that beats for thee, for thee alone!

But all is lost: that mighty mind o’erthrown,
Like sweet bells jangled, piteous sight to see!
“Doubt that the stars are fire,” so runs his moan,
“Doubt Truth herself, but not my love for thee!”

A sadder vision yet: thine aged sire
Shaming his hoary locks with treacherous wile!
And dost thou now doubt Truth to be a liar?
And wilt thou die, that hast forgot to smile?

Nay, get thee hence! Leave all thy winsome ways
And the faint fragrance of thy scattered flowers:
In holy silence wait the appointed days,
And weep away the leaden-footed hours.

III.

The air is bright with hues of light
And rich with laughter and with singing:
Young hearts beat high in ecstasy,
And banners wave, and bells are ringing:
But silence falls with fading day,
And there’s an end to mirth and play.
Ah, well-a-day

Rest your old bones, ye wrinkled crones!
The kettle sings, the firelight dances.
Deep be it quaffed, the magic draught
That fills the soul with golden fancies!
For Youth and Pleasance will not stay,
And ye are withered, worn, and gray.
Ah, well-a-day!

O fair cold face! O form of grace,
For human passion madly yearning!
O weary air of dumb despair,
From marble won, to marble turning!
“Leave us not thus!” we fondly pray.
“We cannot let thee pass away!”
Ah, well-a-day!

IV.

My First is singular at best:
More plural is my Second:
My Third is far the pluralest—
So plural-plural, I protest
It scarcely can be reckoned!

My First is followed by a bird:
My Second by believers
In magic art: my simple Third
Follows, too often, hopes absurd
And plausible deceivers.

My First to get at wisdom tries—
A failure melancholy!
My Second men revered as wise:
My Third from heights of wisdom flies
To depths of frantic folly.

My First is ageing day by day:
My Second’s age is ended:
My Third enjoys an age, they say,
That never seems to fade away,
Through centuries extended.

My Whole? I need a poet’s pen
To paint her myriad phases:
The monarch, and the slave, of men—
A mountain-summit, and a den
Of dark and deadly mazes—

A flashing light—a fleeting shade—
Beginning, end, and middle
Of all that human art hath made
Or wit devised! Go, seek her aid,
If you would read my riddle!

Lewis Carroll

1911

Canto IV - Hys Nouryture

mrbot — Mon, 16 Jan 2017 21:42:13 +0000

“Oh, when I was a little Ghost,
A merry time had we!
Each seated on his favourite post,
We chumped and chawed the buttered toast
They gave us for our tea.”

“That story is in print!” I cried.
“Don’t say it’s not, because
It’s known as well as Bradshaw’s Guide!”
(The Ghost uneasily replied
He hardly thought it was).

“It’s not in Nursery Rhymes? And yet
I almost think it is—
‘Three little Ghosteses’ were set
‘On posteses,’ you know, and ate
Their ‘buttered toasteses.’

“I have the book; so if you doubt it—”
I turned to search the shelf.
“Don’t stir!” he cried. “We’ll do without it:
I now remember all about it;
I wrote the thing myself.

“It came out in a ‘Monthly,’ or
At least my agent said it did:
Some literary swell, who saw
It, thought it seemed adapted for
The Magazine he edited.

“My father was a Brownie, Sir;
My mother was a Fairy.
The notion had occurred to her,
The children would be happier,
If they were taught to vary.

“The notion soon became a craze;
And, when it once began, she
Brought us all out in different ways—
One was a Pixy, two were Fays,
Another was a Banshee;

“The Fetch and Kelpie went to school
And gave a lot of trouble;
Next came a Poltergeist and Ghoul,
And then two Trolls (which broke the rule),
A Goblin, and a Double—

“(If that’s a snuff-box on the shelf,”
He added with a yawn,
“I’ll take a pinch)—next came an Elf,
And then a Phantom (that’s myself),
And last, a Leprechaun.

“One day, some Spectres chanced to call,
Dressed in the usual white:
I stood and watched them in the hall,
And couldn’t make them out at all,
They seemed so strange a sight.

“I wondered what on earth they were,
That looked all head and sack;
But Mother told me not to stare,
And then she twitched me by the hair,
And punched me in the back.

“Since then I’ve often wished that I
Had been a Spectre born.
But what’s the use?” (He heaved a sigh.)
“They are the ghost-nobility,
And look on us with scorn.

“My phantom-life was soon begun:
When I was barely six,
I went out with an older one—
And just at first I thought it fun,
And learned a lot of tricks.

“I’ve haunted dungeons, castles, towers—
Wherever I was sent:
I’ve often sat and howled for hours,
Drenched to the skin with driving showers,
Upon a battlement.

“It’s quite old-fashioned now to groan
When you begin to speak:
This is the newest thing in tone—”
And here (it chilled me to the bone)
He gave an awful squeak.

“Perhaps,” he added, “to your ear
That sounds an easy thing?
Try it yourself, my little dear!
It took me something like a year,
With constant practising.

“And when you’ve learned to squeak, my man,
And caught the double sob,
You’re pretty much where you began:
Just try and gibber if you can!
That’s something like a job!

“I’ve tried it, and can only say
I’m sure you couldn’t do it, e-
ven if you practised night and day,
Unless you have a turn that way,
And natural ingenuity.

“Shakspeare I think it is who treats
Of Ghosts, in days of old,
Who ‘gibbered in the Roman streets,’
Dressed, if you recollect, in sheets—
They must have found it cold.

“I’ve often spent ten pounds on stuff,
In dressing as a Double;
But, though it answers as a puff,
It never has effect enough
To make it worth the trouble.

“Long bills soon quenched the little thirst
I had for being funny.
The setting-up is always worst:
Such heaps of things you want at first,
One must be made of money!

“For instance, take a Haunted Tower,
With skull, cross-bones, and sheet;
Blue lights to burn (say) two an hour,
Condensing lens of extra power,
And set of chains complete:

“What with the things you have to hire—
The fitting on the robe—
And testing all the coloured fire—
The outfit of itself would tire
The patience of a Job!

“And then they’re so fastidious,
The Haunted-House Committee:
I’ve often known them make a fuss
Because a Ghost was French, or Russ,
Or even from the City!

“Some dialects are objected to—
For one, the Irish brogue is:
And then, for all you have to do,
One pound a week they offer you,
And find yourself in Bogies!”

Lewis Carroll

1911